Any acoustic kick will have several peak resonances, but this is an exceptionally full kick: a perfect choice for a song like Single Ladies that contains intermittent bass parts. It has resonant peaks at 36Hz, 55Hz, 95Hz, and plenty of resonance between 95 and 200Hz.

The kick occupies a conventional range of about 30Hz to about 200Hz, yet what makes the kick special is that it fills that range. However, one look at Hit Talk’s frequency separation map shows a much more complex tale, revealing the frequency ranges occupied by each track in the song. To help understand RedZone’s daunting skills, Hit Talk reveals the production techniques used in Single Ladies in our most elaborate Hit Report yet! You can find out about the mix and frequency separation, plus the woodwind production in this online preview, or purchase the full report below to read our comprehensive analysis.Īs we mentioned, Single Ladies sounds simple. Single Ladies uses every trick in the book, plus invents a few of its own. The backbone of Single Ladies is an explosive kick drum sample taken straight from the ModernBeats Library, further empowered by RedZone’s clever accents and embellishments: snappy delays, reversed samples, crafty downsampling, epic-sounding strings playing against pitch-bending ARP2600- style synths. At first listen, Single Ladies may sound like a simple club beat, but actually, the depth and detail of this song’s composition, arrangement and production is paramount. The Dream), and Kuk Harrell of Atlanta-based RedZone Entertainment - rapidly ascended the charts in late 2008, and, at the time of writing, tops Billboard Hot 100, Hot R&B/Hip-Hop Songs, and Hot Digital Songs. Beyoncé’s Single Ladies - written and produced by Chris Stewart (a.k.a.

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